"Girl Model" trailer David Redmon and Ashley Sabin's provocative documentary

Uploaded by abudhabifilmfestival on Sep 25, 2011

In rural Siberia, Russian and American model scouts scour remote villages in search of teenage girls to satisfy the Japanese market's unquenchable thirst. For poor, pretty farm girls, the promise of work abroad signifies the rare chance for a new life. David Redmon and Ashley Sabin's provocative documentary explores this dark, seldom-seen segment of the modeling industry through two primary subjects.

Ashley used to be a model in the United States. Now she's a professional scout who is conflicted over the fact that her livelihood depends on recruiting the youngest girls possible based on promises that aren't always realized. Nadya is a 13-year-old country girl from Novosibirsk, Siberia, who embodies the particular kind of youthful innocence so highly sought-after in Japan. Hoping to help support her tight-knit family, she travels to Tokyo, but once there, she finds the frustrating reality of how jobs are booked is much different from what she expected.

Strikingly composed, Girl Model follows its subjects through a frustrating maze of casting sessions, clashes and contradictions. Redmon and Sabin juxtapose video diaries that Ashley recorded from her years as a model with her current life as a scout, revealing the precariousness and complexities of the business from both sides of the coin. As Nadya and the other young girls like her find themselves lost in a harrowing hall of mirrors, will they learn to navigate the modeling world, or wind up returning home in debt to their agencies?

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В сельских районах Сибири, русский и американский разведчики модель рыскать отдаленных деревень в поисках девочек-подростков, чтобы удовлетворить неутолимую жажду японского рынка. Для бедных, красивые девушки фермы, обещание работать за границей означает редкий шанс для новой жизни. Дэвид RedMon и провокационный документальный Эшли Сэбина исследует этот темный, редко видел сегменте модельной индустрии через две основные темы.

Эшли когда-то моделью в Соединенных Штатах. Сейчас она профессиональный разведчик который есть конфликт по поводу того, что ее средства к существованию зависят от вербовки молодых девочек возможно на основе обещаний, которые не всегда реализуется. Надя 13-летней деревенской девушки из Новосибирска, Сибири, который воплощает в себе особый вид молодой невиновность так высоко востребованных в Японии. Надеясь, чтобы помочь поддержать ее дружной семье, она едет в Токио, но когда-то, она находит разочарование действительностью, как рабочие места забронированы сильно отличается от того, что она ожидала.

Поразительно состоят, девушка модель следует ее субъектов через разочарование лабиринт литья сессий, столкновений и противоречий. RedMon и Сабин сопоставить видео дневники, что Эшли записанные с ее лет в качестве модели с ее текущей жизни, как разведчик, выявление нестабильности и сложности бизнеса с обеих сторон монеты. Как Надя и других молодых девушек, как ей найти себя потеряли в боронование зал зеркал, будут ли они научиться ориентироваться моделирования мира, или ветра до возвращения домой в долгу перед их ведомствами?

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農村シベリアでは、ロシアとアメリカのモデルのスカウトは日本市場の抑えられない渇きを満たすために十代の少女の検索でリモートの村を磨く。貧しい人々、かなりファームの女の子のための、仕事の約束は、​​海外の新しい生命のための絶好のチャンスを意味する。デビッドレドモンとアシュリーサビンの挑発的ドキュメンタリーには、2つの主要科目を通じてモデリングの業界のこの暗い、滅多に見られない部分を探ります。

アシュリーは、米国のモデルに使用。今、彼女は彼女の生活は可能常に実現されていない約束に基づいて最も若い女の子の募集に依存するという事実上の抵触されている専門スカウトです。ナディアはとても高く、日本で求められて後に若々しい無邪気さの特定の種類を具現ノボシビルスク、シベリアから13歳の国の女の子です。彼女のタイトなニットの家族を支援することを望んで、彼女が期待したものとはかなり異なる場合、彼女は東京に出張が、一度そこに、彼女はジョブが予約されている方法のもどかしい現実を見つけます。

驚くべきことに成る、ガールズモデルがキャストセッション、衝突と矛盾のイライラ迷路、その科目に従います。レドモンとサビンは、アシュリーはコインの両面からビジネスの危険性と複雑さを明らかに、スカウトとしては彼女の現在の生活にモデルとして彼女の年から記録したビデオ日記を並置。ナディアと彼女のような他の若い女の子は、自分自身が鏡の悲惨なホールで失わ見つけるように、彼らは、モデリングの世界をナビゲートすることを学ぶ、またはそれらの機関への借金で家に帰る羽目になるのだろうか？
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Girl Model-The Movie | Facebook

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Girl Model-The Movie - Directed By: David Redmon & A. Sabin - Written By: David Redmon & A. Sabin - Plot Outline: Original Score by-Matthew Dougherty ...

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Brazil - launches bid to reoccupy Rio slums / Brasil - inicia licitação para reocupar as favelas do Rio

Published on Nov 13, 2011 by Euronews

http://www.euronews.net/ In Brazil, thousands of heavily armed police have begun an operation to seize control of Rio de Janeiro's worst slums.

The occupation of Rocinha, a notorious hillside "favela" is a crucial part of the city's preparations for the 2014 football World Cup and the Olympics two years later. Many locals have welcomed the move.
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No Brasil, milhares de policiais fortemente armados começaram uma operação para tomar o controle das piores favelas do Rio de Janeiro.

A ocupação da Rocinha, um notório encosta "favela" é uma parte crucial da preparação da cidade para a Copa do Mundo 2014 de futebol e os Jogos Olímpicos dois anos depois. Muitos moradores receberam bem a mudança.

USA/China - President Obama attacks China on value of yuan at APEC

Published on Nov 14, 2011 by Euronews

http://www.euronews.net/ The Asia-Pacific Economic Cooperation (APEC) summit in Honolulu ended with agreements to increase trade, encourage innovation and make travel between the countries easier.

Breaking with tradition, the leaders did not wear Hawaiian aloha shirts for the photo - ending a custom of wearing something to symbolise the host country.

Barack Obama used a speech on the final day to criticise China for continually refusing to devalue its currency.

"David" trailer - in UK Cinemas Thursday 17th November 2011 - Starring: Marjorie Austrian, Akram Basuni, Gamze Ceylan, Ayse Eldek, Markus Goldberg

Uploaded by UKJewishFilmFestival on Sep 21, 2011

An eleven year old Muslim boy, growing up in Brooklyn, befriends a group of Jewish boys who mistake him for being Jewish. Drawn into a complicated situation, despite his best intentions, this youthful deceit will have serious consequences.

Director: Joel Fendelman
USA 2011
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Director Joel Fendelman Discusses 'David' at the Va. Film Festival

Uploaded by rickinchvilleva on Nov 6, 2011

 

Virginia Film Festival writer and podcaster Sean McCord interviews film director Joel Fendelman about Fendelman's 2011 narrative feature debut, 'David,' at the Culbreth Theatre on the grounds of the University of Virginia on November 6, 2011.

For more information, see http://www.facebook.com/davidthemovie

"Rabies" trailer - in UK Cinemas Thursday 17th November 2011 - Starring: Lior Ashkenazi, Danny Geva, Ania Bukstein, Menashe Noy, Ran Danker.

Uploaded by tribecafilm on Mar 23, 2011

Directed By

Aharon Keshales Navot Papushado

A psychotic serial killer on the loose in the woods crosses paths with a group of unsuspecting teenagers. Soon people are dying one by one... but the bad guy isn't who you think. Turning genre conventions on their head with a smart script and plenty of unexpected scares, Rabies is a surprising debut worthy of its mantle as Israel's first-ever slasher horror film.

"Leaving/Odcházení" trailer - in UK Cinemas Tuesday 15th November 2011 - Starring: Josef Abrhám, Dagmar Havlová, Vlasta Chramostová, Eva Holubová, Tatiana Vilhelmová

Uploaded by totalfilmvideo on Mar 3, 2011

The world-renowned playwright and politician Vaclav Havel becomes first director to transfer to the screen game that successfully bring domestic and international scenes. Meeting Vaclav Havel with the film director, in his words - at the end of his public career - is somewhat symbolic. His family, especially in the person of his uncle Milos Havel, is closely associated with the development of Czechoslovak film and the construction of the domestic film industry during the First Republic, the author himself from an early age wanted to become a film director, period ratios, however, thwarted him how the study and implementation of this long-standing desire .
It is also the first time that Vaclav Havel, the author's vision of his own interpretation. "A play is a kind of blank, the author offers theaters, and that you do with it after her," says Vaclav Havel and provides an explanation of why he decided to try film directing. "I think the author has humbly endure. Can not bear the interpretation of someone others, is to write novels, not plays. After many decades of my game play so, I felt a desire finally to interpret itself. And the film, which to me means some inner satisfaction. Originally, and indeed the whole life I wanted to be mainly filmmaker. And now I'm probably true. "
Leaving The story is the story of a turning point in human life. Dr. William Rieger for many years held the office of chancellor, but recently came to her and apparently with it internally can not cope. While trying not to show it, he basically collapsed the world. They must move from a government villa, which has over the years became his home, and must participate in government-issue unworthy of treatments separating things from things private. It also - and mainly - to experience decay of his surroundings, his "Justice" and realize how little he actually knew.
The film is not just about leaving one of the policy function, but more generally the phenomenon of change itself: every second something comes and goes something forever, we know where everything emerges and even fewer know where it plunges. Actually, for the classical theme of the drama, which is the end. The end of man. End of an era. End of a community. The end of love.

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Světově uznávaný dramatik a politik Václav Havel se poprvé stane režisérem, aby převedl na filmové plátno hru, kterou s úspěchem uvedly domácí i zahraniční scény. Setkání Václava Havla s filmovou režií, řečeno jeho slovy -- v závěru jeho veřejné kariéry - je poněkud symbolické. Jeho rodina, především v osobě jeho strýce Miloše Havla, je úzce spojena s rozvojem československého filmu a vybudováním domácího filmového průmyslu v období první republiky, sám autor odmalička toužil stát se filmovým režisérem, dobové poměry však mu zmařily jak studium, tak naplnění této dlouholeté touhy.

Zároveň je to poprvé, kdy Václav Havel bude svou autorskou vizi sám interpretovat. „Divadelní hra je jakýsi polotovar, který autor nabídne divadlům a ta si s ním naloží po svém," říká Václav Havel a dodává vysvětlení, proč se rozhodl zkusit filmovou režii. „Myslím, že autor to má pokorně snášet. Nesnese-li interpretaci někým jiným, má psát romány a ne divadelní hry. Poté, co mnohá desetiletí se mé hry takto hrají, pocítil jsem chuť konečně interpretovat sám sebe. A navíc filmem, což pro mne znamená určitou vnitřní satisfakci. Původně a vlastně celý život jsem chtěl být hlavně filmařem. A teď se mi to snad splní."

Příběh filmu Odcházení je příběhem zlomového bodu v lidském životě. Dr. Vilém Rieger po dlouhá léta zastával funkci kancléře, nedávno však o ni přišel a zřejmě se s tím neumí vnitřně vyrovnat. I když se snaží to nedat najevo, v podstatě se mu zhroutil svět. Musí se vystěhovat z vládní vily, která se už za ta léta stala jeho domovem, a musí se účastnit nedůstojné procedury oddělování erárních věcí od věcí soukromých. Zároveň - a hlavně - musí prožít rozklad svého okolí, svého "dvora", a uvědomit si, jak málo ho vlastně znal.

Ve filmu nejde jen o odcházení jednoho politika z funkce, ale obecněji o sám fenomén změny: každou vteřinu něco přichází a něco nenávratně odchází, nevíme odkud se všechno vynořuje a ještě méně víme, kam se to zanořuje. Vlastně jde o klasické téma dramatu, kterým je konec. Konec člověka. Konec epochy. Konec nějakého společenství. Konec lásky.

Gaza - More cross border fire

Published on Nov 13, 2011 by Euronews

http://www.euronews.net/ Israeli military claims to have responded to a rocket attack from Palestinian militants. They launched an airstrike at what they described as a terror activity centre in the Northern Gaza Strip.

The Israelis say a policeman was killed. Palestinian medical officials said the strike hit a Hamas naval base.

Italy - Monti goes to work on forming new government

Published on Nov 13, 2011 by Euronews

http://www.euronews.net/ Italy's new prime minister designate says he is starting work immediately on forming a caretaker government.

As widely expected, Mario Monti was nominated after a day of talks chaired by Italy's President with senior officials from the main parties.

Speaking after the meeting broke up, Monti issued a rallying call, saying that Italy was capable of overcoming its economic crisis.

"Italy must come back and must be an element of strength rather than weakness in the European Union: we were the founders and we must be the leaders," he said.